Saturday, February 29, 2020

Sword Sunday #9 - "A sword for Gideon" - The oldest known commando raid

"A sword for the Lord, and for Gideon!"
Judges 7:20

Faith, politics, and asymmetrical combat in the iron age.


DISCLAIMER: this will be a secular discussion of the story of Gideon's battle with the Midianites. While I do have my opinions and theological beliefs regarding this story, the point of this post is to talk about secular concepts, verifiable history, and reasonable theories around the narrative. 
This will not be a 'Sunday school' lesson.

The book of judges, which is recorded both in the christian Old Testament, and jewish Tanakh, includes in its words the story of Gideon, son of Joash, from the Abiezrite clan in the tribe of Manasseh He would rise to become a military leader, and then a judge (leader) over the nation of ancient Israel.

However, one of Gideon's exploits is so amazing that today, it is still talked about, still read about, and is still taught as a historical bases for modern military historians, and modern officers. That story is the nighttime attack of Gideon on the army of the Midianites, an attack so outlandish in its conception that even today, we balk at the idea of it working, even though its core principles have perceived over history.

In summary, Gideon is selected by God to lead Israel when it is threatened by the army of the Midianites, one of the Bedouin tribe of the Mediterranean around the 8th century BCE. The jewish people of the day were also starting to turn away from their faith and worship the deity BaĘżal, threatening the cultural identity of the nation. 
Gideon, based on visions he received, mustered a new army of Israel, the final tally numbered over 30,000 men. However, it was believed that a force that strong, while a formidable threat to the Midianites, might prove to be too much so. Such a victory might  be seen as proof that the jews were masters of their own fate, and didn't need to worship God for protection. 
Towards this end, Gideon invited anyone who wanted to leave to do so. At this invitation, 20,000 men departed. 
Then, he lead the remaining men to water and ordered them to drink. He watched as the remaining 10,000 did this, and the men who knelt down and cupped the water with their hands, he kept. The men who 'lapped at the water like a dog', , getting down on the ground, he sent home. 
Gideon divided his men into three equal groups, calling each a company. He gave each man a trumpet, and a clay jar and a torch that was placed inside. 
The attack took place at night. Gideon led his force up to the edge of the Midianite camp, and then had the companies smash their jars on the ground, light and then raise their torches up in the air, blow their horns, and then shout "a sword for the Lord, and for Gideon!" 
The loud, sudden action caused panic in the Median camp, and the massive force wound up turning on itself in the night. In the aftermath, the Midianites were broken, and fled.

The book of Judges is widely considered to be the oldest known recorded narrative of such a military tactic. Written copies  have been reliably dated to the dawn of the current age, and it is popularly believed that oral tradition of this story was in common circulation for centuries before that.

Even if we argue that Gideon didn't exist, and the battle with the Midianites didn't happen, we can confidently say that people were telling the story, discussing the principles, and taking lessons from the narrative 300, 400 and even 500 BCE.

While the story leaves out some of the numbers and details that the modern sensibilities prefer, and certainly some of the actual text's important points are out of context from when they were first recorded, there are still enduring and time honored truths to this story that are widely regarded combat tested facts today.

  • Mind games: At its core, the attack itself is what would, in modern parlance be called a 'demonstration', a 'decoy action', or perhaps just a distraction. The basic idea was to surprise the enemy so much that they did something stupid.

    When we put it that way, its easy to say 'that idea is the oldest trick in the book'.

    Well, that's right, and Gideon is the man who wrote chapter 1 of said book.

    The point is that centuries before the battle of Thermopylae,  in an age before steel, the study of psychology, before Sun Tzu's "The art of War", or anything resembling a military academy ever existed, Gideon (the person, or the character) was able to conceptualize that a handful of men with a thought out plan could trigger a panic destructive enough to actually do substantial damage to his enemy. Even by modern terms this is a bold plan, for Gideon's day and age, it was arguably beyond cutting edge.

    The tactic was obviously new for its day, but has been repeated time and time again across the ages of man, and at times to a scale that would boggle the mind of Gideon in his day

    Some modern examples include whole fake regiments being built out of inflatable tanks and plywood shacks in the north of England before D-Day. Placed so that German recon aircraft would see them, the information caused  Germany to move, and hold back armored reserves before the landing, and then continue to keep them in reserve out of fear of a second landing to the north. Ultimately, the distraction lead to multiple regiments not arriving in time to shore of the beach defense, and causing the beginning of the German fallback through France.

    Another more dramatic example was conducted during the first Gulf War when a seven man US Navy Seal team swam to the occupied Kuwaiti coast and planted demolition charges on the beach barricades. Hours later, when the charges went off, the occupying Iraqi army thought that the actions were preparation for a US Marine landing into the army's rear. This prompted the Republican Guard to pull back multiple divisions, tens of thousands of men,  from the southern defense of Kuwait in order to intercept the expected Marine division on the coast. The actual result, however, would see the divisions caught on the open roads under US air strikes, and would greatly reduce the defensive lines waiting for allied ground forces when they began their assault from the south days later.

    From a social standpoint, Orson Wells Radio production of "the War of the Words" s still regarded as an example of a 'stunt' that might have gone too far. More to the point, if you dig into the actual mechanics of the production, the sound effects and other dramatic noises he used were produced entirely by highly skilled actors, and every day items whos sounds out of context, fooled thousands (The 'artillery' firing, for example, was the sound of a flushing toilet).

    Politically, the Russian cyber campaigns to influence western democracies, including the United States, are every bit in the same vein as Gideon's mission thousands of years ago. Even if we argue that this modern example had no direct effect, the idea of the mission was to use deception, fear, and surprise to provoke a hasty, self destructive action on the part of an adversary.

    The central point here is that while not new today, the idea of fighting a man's mind rather that his body was very likely was cutting edge of modern military science for Gideon and his men.
  • Specialized equipment: In the modern age, the idea of  high-end, specialized equipment being employed by military or even law enforcement is not only common, but expected in places like Russia, the UK, the EU, and the US. But the idea of fighting a war with something other than a sword or a spear (or even a rock) does have its origins, and as I have said before, the story of Gideon is the oldest such story we have record of.

    While a far cry from night vision goggles, or stealth helicopters, his choice of equipment is none the lees every bit as high tech as those items in the context of the day.

    Horns have been, and were an accepted staple of communications going back to the earliest known tribes of men. Armies have singled maneuvers with them all the way up to the early days of the Vietnam war.

    Also, Armies have used teams of radio specialists to create whole 'ghost units' in order to distract or decoy an enemy away from a real fight. The practice dates back to the second world war, and even today, communications units have 'decoy' as one of the missions they train for.  One or two men working a field radio can imitate a whole company, a battalion, or even a regiment to the ears of an enemy radio listening station miles away. The tactic was considered one of the cornerstones to cold-war era planning if a ground war in europe broke out.

    When we say 'horns' in this story, we need to understand that they were every bit as sophisticated and advanced in their day as the modern communication's team is to a mechanized maneuver group or heliborn regiment. The cultural and social power of the sound of a blown instrument was great enough that using it as a weapon itself was, for its day, the cutting edge of "thinking outside the box".

    The torch, through perhaps a little more obvious at first glance, still bears some detailed considerations here as well. Over two millennium before the zippo lighter and road flairs, the act of simply moving a torch into position without being seen to soon was no small feat. Even if we account for flint and easily lit oils, moving the whole thing into position means you need to do as much prep ahead of time as possible. 300 men trying to pour oil on torches, and then all strike flints over them, at night, without something going wrong, is a disaster waiting to happen.

    If you don't believe me; get a hundred men and try it, during a dim moon, or overcast night, see how many of them spill their oil, or loose their flits. How many do you think will ignite on the first try, and how many of them are still hitting their flints together thirty seconds later. How much noise do you think they will make trying to manage all of this, and in the dark no less.

    Though its a bit of speculation, I don't think its a stretch to assume that the torches were soaked ahead of time and put into the jars to keep them soaked with oil and ready to light at the last minute. Smashing them was probably (if I had to guess) as much about getting fast access to the torches as anything else, but the added noise certainly wouldn't have hurt at all.

    This type of planning ahead and organizing would be in line with the detailed preparation we see soldiers go through today, with ammunition, armor, radios, and weapons all strategically placed on the body for quick, and ready access, even when rendered totally blind and deaf. That type of organisation uniformity, organisation and forethought wasn't realized on  a large scale until the rise of the Greek city states, several centuries later.
  • Selection process: Again, today it makes sense that a specialized force of men would have to go through a vetting process, but there is a hidden degree of sophistication hinted at in the Gideon narrative.

    First, Gideon told men who didn't want to be there to go back to their homes.

    Even in armies where conscription fills out the ranks (Which included the US up until the 1980s), it is recognized that volunteer soldiers are much more likely to perform better and fight harder than those compelled to service.

    US Army Rangers have long been referred to at 'triple volunteers', first voluntarily joining the army, then voluntarily joining the Airborne (specifically the parachute divisions), and finally volunteering to join the Rangers, arguably one of the finest light infantry forces in the world.

    Also, there are echoes of this command in the vetting processes for special forces selection. Forces like Seal Team Six/DevGroup, Delta Force, and the Special Air Service all have highly advanced psychological testing programs to help select the best candidates mentally, as well as physically.

    Though rudimentary by modern standards,  the idea of telling men that they can leave simply for not wanting to be there is a powerful tool here, since it helps assure the unit morale, the esprit de corps, perhaps the hardest thing to gauge, is the strongest it possibly can be.

    Gideon took the remaining men, presumably  about 10,000, to the water and ordered them to drink. The ones who 'lapped the water like dogs' were the ones he sent home.

    Now, lets put some context to this for a moment. we are moving 10,000 people towards a body of water large enough for them to drink out of it. This in itself means we are taking about something relatively large, like a river or a lake. And, we are moving 'to' it, meaning its at least a moderate walk away, and not within the camp itself.  So, when we get to the actual water, the men have probably been walking for at least an hour, and are probably standing in line for another hour so they can get to the water's edge to drink. So, they re probably a little sore, a little tired, and probably thirsty to begin with.

    Now, I want to take apart the test itself for a moment.

    [TRANSPARENCY NOTE: This section has been edited since it was first published, because I realized I had misread a two verses. And its not just that I had misread, them but the translations left a lot to be desired. So, I used my phone to suspend the post, raced back to my house, and made some vital corrections.]
    So Gideon took the men down to the water. There the Lord told him, “Separate those who lap the water with their tongues as a dog laps from those who kneel down to drink.” Three hundred of them drank from cupped hands, lapping like dogs. All the rest got down on their knees to drink. The Lord said to Gideon, “With the three hundred men that lapped I will save you and give the Midianites into your hands. Let all the others go home.”
    Judges 7:5-7 NIV translation.

    So, this is saying that those who 'lap the water' 'as a dog' are the ones that Gideon sent home.

    I know this sounds unusual, but consider it from  practical standpoint. First of all, these men don't know what the terms of the test are, there is no 'right' or 'wrong' answer for them, and in fact, they may not even know that they are being tested.

    Second, consider the physicality of this process. The two motions described are kneeling down and cupping the water up to their faces, and bringing their heads down to the water to drink.

    The fact of the matter is that kneeling down, reaching down with two hands, and lifting water to you face a lot of people will just do on the spur of the moment. It requires a degree of dexterity, strength, joint health, and muscularity. Sure, there are a lot of you who could do it easily, but how many would consider it the easiest choice when contrasted with just laying down, getting off your legs entirely, and guzzling down as much as you can drink?

    To put this in perspective, *I*  would not be able to do that.. I mean, I could if I was told to, but it wouldn't be my first choice, or even my third to be honest.

    The use of this seemingly unusual test probably (if we speculate a little) vetted out men who's determination and persistence let them compensate for the fact that they were not 'as young as they used to be'. Also it likely helped identify men who still had the energy to be that spry in the first place, even after a walk  and a lot of standing round.
  • Special Organisation. A lot can be said about the men being divided into three groups, each called a company.

    The fact of the matter is that the word 'company' has been a recognized and largely formalized military unit since the end of the English Civil War, and the size of an infantry company does average around a hundred men, though of course examples exist with numbers as low as 50 and as large as 200. Still, absent of all other historical context, the cultural average of a 'company' is assumed to be 'about a hundred men'.

    The idea of a group of fighting men being called 'a company' though, dates back to before the middle ages, with written records existing all the way back to just after the fall of the roman empire. In some cases, it can be considered an economic invocation, such as a mercenary company, though in others, the idea is clear one of 'a group'.

    Unlike Battalion and Platoon (both of which have their linguistic origins in french), the word 'company' comes from the social context of 'keeping good company', or 'Having company over". While I am not a biblical scholar, if we assume some fidelity int he translation, the decision to name each hundred man group a 'company' (or the linguistic equivalent there to) would serve to help formalize the bond between the men. Imagine a military team of men today called a 'brotherhood' or a 'family', but as a formal organizational tier. While it sounds strange to modern sensibility, the idea of a family like bond in combat units is accepted as a staple of successful armies. The award winning HDO series "Band of Brothers" is perhaps the most literal use of that concept as a tile that refers to the men of E company, 506th Parachute Infantry Regiment in world war 2.

    But, beyond the nomenclature, another important fact here is the idea that Gideon did organize his men into separate units, and gave each unit a separate destination. Now, this was probably not new, even to Gideon, but it it very likely that such organisation of armies before this were along family, or political lines. The thoroughly mixed in group of men chosen only by the merit of their relevant skills was certainly a rare concept in that day, if not completely foreign to the men of Gideon's now tiny army.

    These were men likely raised with the idea that they would fight next to people they lived with, or worked next to. Here, they were 300 pulled seemingly at random from a group of 30,000, and then grouped together into matching groups of a hundred. In that moment, they were strangers, probably honestly wondering 'and who the hell are you?' about the men on their left and right.The idea of calling them a 'company' was the groundwork of quickly establishing a collective group identity.
  • The "Sword" of Gideon:  There is a little more context to this concept that just the idea of 'a weapon'.

    First of all, swords didn't win wars, spears did.

    Armies all the way back to Babylon, and Egypt built on a core of men skilled with the spear. Its reach, penetration, and power with two hands behind it made it the undisputed king of the melee field, and in terms of cost, it was markedly cheaper to field than a sword. When fielded en mass, it was able to deflect horse attacks, and drive off infantry presses.

    What's important about this is that the scriptures do talk about the spear in several chapters, both literally and metaphorically. The idea of the weapon existing as different, and distinct from the sword was not in any way shape for form lost on the jew of the day, or those that came after them.

    Yet, it is not the 'spear' or 'lance' of the lord that the men are told to proclaim. It is the 'sword'.

    Why?

    While hardly rare, swords were expensive. On average far more more so than spears, or bows, and probably on a par with the cost of the more common body armor of the day. Also, a sword is substantially more complicated to use than a spear, with more movements, defenses and attacks, and all of which done at much closer range. From an economic standpoint, and then a practical one, the people who had swords were the ones who could both afford them, afford the armor to go with them, and afford the training to be competent with it all.

    If you wound up in an actual sword fight on an old testament battlefield, chances were you were squaring off against someone at least nominally important, or their bodyguard.

    Ergo, the sword was an elite weapon, indicative of leadership and/or military prowess. That concept was markedly older than Gideon, but also persisted well into the 20th century, with British and French officers using their sabers to lead charges all the way up to the early days of the first world war, and Japanese officers doing the same with Katanas all the way up until the end of World War 2.

    In fact, the sword's emotional importance to Japan's fighting spirit was so central to its identiy that part of the military occupational law laid down after the surrender in 1945 was that all sword in Japan had to be destroyed, and all kendo schools closed down.

    So, the invocation of 'a sword for the Lord, and for Gideon", was not some broad declaration of war or victory, it was a statement of military prowess in the strike itself. In as much as it was saying 'attack', it was also saying 'attack with the best that you have'.

    Its one thing to say 'I'm going to shoot you with my gun'.

    But its another matter entirely to say "I'm going to take you're head off with a 7.62mm hollow-point from my SOCCOM M-14 precision marksman's rifle".
  • Image result for SOCCOM M-14
    Springfield Armories M-14 SOCCOM precision marksman's rifle
    You're effectively saying the same thing either way, but there is an  added degree of prowess, and threat when you clearly state that 'not only am I going to shoot you, I'm going to do it with the best weapon I have.

    In a more specific example, the raid to kill Osama bin Laden sent the same message to the surviving member of Al-Qaeda. The US could have sent in an air strike, or a drone mission, but instead sent in the best troops they had to directly, and verifiable engage and kill the target. That level of elite, direct action is a powerful message to send.

    That
    is the invocation of  'a sword for the lord, and for Gideon'.
  • Politics: Sure, no one likes to talk about it, but the fact is that war is an extension of policy, and violence is the result of when talk fails, or fails to even happen.

    The attack on the Midianites  was less a military victory than it was a political victory for Gideon and the Jews who still worshiped the Hebrew God.

    It was a deliberate miracle meant to reaffirm the supremacy of the national faith over Ba'al, and all other deities.

    In the broadest of terms, it was a needed moral boost and rallying cry for a nation falling apart at a cultural level.

    If that sounds like  a stretch, or a foreign concept, don't fool yourself.

    Going back to early US history, another example where the battle against an enemy was as important internally as it was from without was the Crossing of the Delaware during the American Revolution.

    After the battles of Concord, Lexington, and Bunker Hill, and the siege of Boston (which were more or less the collectively "first act" of the war), the men of the colonial 'army' had been emboldened to believe that the militia, and its undisciplined, unruly waysm were the ultimate fighting force in the modern world. Officers and leaders rejected George Washington's directives to reorganize and drill the troops as conventional infantry.

    The victories of that first set of engagements had given the colonial fighting men the entirely wrong message, and their arrogance persisted all the way until the battle of New York, where the British were able to force a conventional engagement on their terms. Colonial forces were crushed under the redcoat advance on the town.

    The battle for New York was an unmitigated disaster for the Colonists, and during the retreat, hundreds abandoned the army. The British were confident that a surrender could come over the winter, or the remaining troops would be soundly defeated with the first actions of the spring.

    From his headquarters, Washington was not in a position to argue.

    What Washington needed was a victory, both to set the British back on their heels, but also to unite the colonists, to invigorate the troops, and to give his men back their fighting spirit.

    The Christmas attack across the Delaware River was precisely that type of miracle.

    The action, launched on the night of Dec 25th, 1776, targeted a Hessians camp, and in hours was able to overwhelm the German mercenaries, capturing 900, as well as tons of critical weapons, ordinance, food, and  other provisions. Colonial losses were less than a dozen, while the Hessians has suffered just over a hundred dead or wounded.

    Tactically, though a major victory, the actual blow to the British was small. The men would be easily ransomed back, and overall, the British still had massive weapons stores available to them, as well as tens of thousandths more infantry able to continue the march after Washington.

    The political aftermath, however, was devastating for the British. The English leadership was humiliated, the king enraged, and the parliament was divided  on how to react. The whole British war effort had been dealt a haymaker blow, and had taken it right right on the jaw.

    Inversely, Washington saw his remaining  men invigorated once again, and more importantly, ready to start drilling as a regular military force. His ranks swelled with new recruits as news of the victory spread. Official support started for come in from the remaining colonies, and even the French  now that the idea of beating the British was no longer seen as a fantasy.

    The fight may have been a small military victory, but it was one of the largest political win's of the war.

    The ramifications of almost any battle include a political dimension, but with the Midianites attacking from without, and Israel fracturing from within as more and more worshiped Ba'al, this battle was a political issue with military ramifications as much as the inverse.
  • The Numbers: As concrete as we want to think numbers are, the fact of the mater is that they are also highly contextualized as well.

    Before you ignore that, consider these few questions:

    Does a centipede actually have a hundred legs?

    Does a millipede actually have a thousand legs?

    Did a roman century actually have a hundred men?

    How long was '40 days and 40 nights"?

    How long is 'a month"?

    Does a Gigabyte thumb drive actually have 1 billion bytes in its digital volume?

    Numbers, especially numbers ending in two or three zeroes need to be scrutinized. More to the point, we really need to scrutinize numbers we aren't told.

    The text implies that Gideon raised an army of about 30000 men by saying he sent 20,000 away the first time, and 10,000 away the second, with 300 left.

    If we assume these are accurate, that means he had about 30,000 men in muster. And, there was concern that that would be enough to defeat the Midianites , so its safe to assume the Midianite army was probably larger than 30,000, and possibly closer to 40,000, if the Jews at least believed they were that much better at fighting then the Midianites.

    So, lets come up with the most skeptical scenario, and see how this works out.

    First of all, lets assume the poets and scholars shaved down the number of Israelites in the final fight, and maybe they had 900 troops. Now, that's a hell of a lot more complicated than 300 to coordinate, but, its not impossible, so lets go with it.

    Second, lets go completely off the deep end and assume that the victors added a zero to the troop count of the Midianite army. That comes down to 3000.

    So, with this highly skeptical scenario, 900 men, carrying clay jugs, torches, and horns (and maybe swords on their belts), managed to sneak up on a camp of 3000 troops and scare them into an open panic.

    In order for that to be true, we're still talking about a 3 (and change) to 1 radio against, the complete inverse of what an conventionally armed infantry force is supposed to have.

    Even looking at it this way, we are still in a scenario where modern leaders would be looking to the ranks of the elite, the best of the best, to pull this off.

    Before automatic rifles or machine guns, there were the types of odds that you didn't want to square off against unless you were the defender and you had a wall or a cliff between you and your enemy.

    And yet, still, even under this absolutely watered down scenario, the Israelites had the odds stacked against them.

    The point here is to say that even if we accept that numbers of old don't have the specificity they do today, the idea of  'a few against many' here still has fidelity, still hearkens to  ides of heroism, and still lays the groundwork for a miracle.
  • The real weapon: Panic: In the end, the actual weapon that did so much damage to the enemy wasn't sword, or spear, iron or wood. It was human panic.

    If you can imagine the type of scale a 10, 20, or 30 thousand person camp would look like, even if only set up for one day, it would be miles across. A runner sounding the alarm could take twenty minutes or more to  run from one end of the camp to the other, and probably still not get to the majority of the people.

    Add to this the fact this was a night action. The Midianites would have woken to darkness, with likely only their camp fires and maybe some moonlight to outline human forms moving this way and that. With battle horns sounding and men screaming in Hebrew in the distance, and people jumping out of their camps, rushing this way and that to get their armor, confusion was assured.  It would be almost inevitable that someone, somewhere bumped into a dark figure and struck out before realizing that they weren't, in fact, facing a jewish solider.

    Suddenly, the madness of a waking, nighttime camp is eclipsed by the deafening roar of melee combat on a scale of hundreds, and then thousands, all probably not even able to see who they are swinging at, and many probably having never seen a jew before in their life to even compare to.

    The narrative doesn't talk about how many men died that night, but the thing we need to keep in mind is that it doesn't need to be that many. Like I said before, armies of the day were in large part organized along political, economic, or family lines.

    When the sun rose the next day, there didn't have to been tens of thousands of men dead on the ground in order to shatter the army. In fact, a few hundred could likely have been just as devastating if they were across enough of the lines that held the army together. A dead noble here, a dead son there, a crippled brother, a blinded father, a wounded patron, an injured friend, and who knows how many leaders, 'officers' or staff didn't make it.

    By sunrise, men would have been exhausted, and as the realization of what had happened set in, its not a stretch to say that the trust, the unity of purpose, and bonds bonds that held the army together were likely stretched beyond repair, if not broken outright. Now, they would be angry and bitter at each other, possibly more so than at the Israelites.

    What was once an army of possibly 40,000 men, were now broken bands of five and ten thousand, all alone, not willing or able to trust each other, and likewise unwilling to support each other.

    Such formations would be easy picking for an now united Israelite army, a realization most Midianites probably came to within hours of that sunrise. 

Conclusion: In the end, regardless of if the battle with the Midianites ever even took place, even a cursory study of the concepts talked about here show that the basic framework of modern special forces can see echoes of themselves in this narrative, and can see that the same fundamentals of asymmetrical warfare talked about five hundred years before the current era. 
#Swordsunday is intended as a fun and educational series of posts for the enjoyment of readers.

His Lordship Ivo Blackhawk
Kingdom of Ansteorra
"Long Live the King!"

Sunday, February 23, 2020

Sword Sunday #8 - The "knife" you brought to a sword fight.

In the age of history where the arming sword and the polearm were the dominate weapons on the battle field, and while the crossbow and the yew longbow were reintroducing generals to the ability to kill en mass and at range, the niche role personal defense was calling on blacksmiths and weapons masters in the great cities of central europe for a weapon meant to protect those who could afford it against an enemy who likely could not.

Today, the weapon (actually a class of them) is called the "messer", which is also the German word for "knife".

It was an an evolutionary step down the path that had started centuries before with the Seax knife of the Celts and Germanic tribes of England and europe. The Saex ( Old English word for "knife") was a strong blade with one edge and the weight to carry a deliberate blow through into vital organs in a fight, or through animal hide for butchering. Where the swords of the knights and other warring classes of europe would follow, and evolve from the roman gladius, the seax would inspire its own linage of single edged fighting weapons, including the powerful cleaving blow of the Falchion.

But as the calendar moved from the 12th century to the 13th, the needs of the continental European gentry, the well to do non-nobles, included a need for a personal defense weapon fit for close combat, and able to best the type of armor or weapon one might encounter in a Paris ally, or a Bavarian back road at night.

How and why the specific elements of the messer came to become the accepted traits of the weapon in central europe are facts largely (but not entirely) lost to history. None the less, by the end of the 13th century, the standard had been established for what was meant when a men of money but no title walked up to a blacksmith or merchant and asked for a messer.

Fighting with a Messer and a "Hungarian shield"
(
Gladiatoria Fechtbuch fol. 55r, mid 15th century)


The messer could be up 30 inches long, with many having straight backs, but some being curved. Many of the surviving examples include overall lengths that range from between 20 and 30 inches, with blades that run up to 24 of those. The weapon was solid, but not necessarily heavy, often times coming in at 2 or 2 1/2 pounds, comparable to both the contemporary military arming sword, and many of the later 'rapier' type swords of the renaissance.



The name 'knife' was not incidental or ironic. The messer shares several design features with knives. Most notably is the single-edged blade and the slab tang, where two woods blocks would be pinned in place for the handle. This was in contrast to a  single-piece wood-handle with a metal round tang pulled through and locked in place on most sword types. Messers, unlike most swords, usually did not have pommels to counter-balance the blade, but rather used the mass of the handle and hilt to keep the center of balance back towards the hand.





In these respects, the messier can easily be seen as somewhat distant second cousin to the modern butcher's knife in design and ascetic.


The messer's hilt was also a unique design for its day and region. Starting with a broad cross hilt mounted to the blade, and pressing against the handle's blocks. Some later examples would fold down along the front of the grip, shielding the fingers from slashes or strikes. Another characteristic was a protrusion coming off of the face of the guard. In some examples, its a short 'nail-like' rod, and in others its a more detailed arm, or lip that folded over to protect the back of the wielder's hand. This design would prove to be one of the predecessors to the basket hilt, and later the elaborate guards of high end rapier of the 15th and 16th century.

.

Centuries later, the civilian weapon would evolve into the Kriegsmesser, or 'war knife', a much larger weapon famously used by, among others, the Landsknecht mercenaries of the 14th, 15th, and 16th centuries.

The messer was part of the curriculum of several FechtbĂĽcher (fighting manuals) of the 14th and 15th centuries, including that of Johannes LeckĂĽchner (dealing with the langes messer), the Codex Wallerstein, Hans Talhoffer, Paulus Kal and Albrecht DĂĽrer. [summary from Wikipedia]

Where the messer was a one-handed and powerful personal weapon for the businessmen or gentry rich enough to own it but not pay for personal body guards, the Kriegsmesser was a towering two-handed weapon of war, with a blade that could easily reach 35 inches, and an overall length of 44" or more in some cases. The added length of the blade gave it reach over almost any one-handed sword, and the longer handle let two hands grip it, affording it devastating power behind each blow. The longer weapon carried with it more mass, and examples of the Kriegsmesser that survive today can weight as much as three and a half pounds, still lighter than the more famous Scottish Claymore, but  when employed in an age when armor use was on the decline, it was still more than powerful enough to cleave limbs, open bodies, or split skulls open wide. 

Ultimately, the messer, and its later evolution the Kriegsmesser were not bested by armor or better sword designs, but we were pressed largely to antiquity as better weapons came into common use. By the end of the 16th century, the place of gunpowder on the battlefield was established, and even the best armor was proving to be useless in the face of rapidly improving muskets. Armies were built around the gun now, with sword quickly becoming secondary weapons, and then status symbols for the leaders, and later officers. The Messer's guard and sometime curved blade would be echoed in the officer's 'backswords', and later sabers of the high European colonial period. 

Forged in Fire, Season 6, featured a final design challenge of a messer style sword, and the final test is a good demonstration of the weapon's killing power and reach. 

#Swordsunday is intended as a fun and educational series of posts for the enjoyment of readers.

His Lordship Ivo Blackhawk
Kingdom of Ansteorra
"Long Live the King!"

Sunday, February 16, 2020

Sword Sunday #7: A $39K Lost and found... in a garage.

The Vintage news reported this week about an unusual find in, of all things, a garage in North Yorkshire, U.K. A gentlemen was going through the garage of his recently departed father when he discovered a rusted and pitted sword with the tip broken off and void of any scabbard.

The son, not new to antiquities, recognized that this was no stage prop of hobbyist's build, and took the weapon to Paul Macdonald of the Macdonald Armouries, in Edinburgh, for evaluation and appraisal.

The weapon had two surprises left in it, even after 4 centuries in existence.

The Gallowglass
The first, was that it wasn't just any sword, but the markings and design meant it was owned and used by the 15th or 16th century gallowglass. The  gallowglass were  highland scotts who intermarried with Norse settlers on the western coast of the Scottish isles, and also had the misfortune of siding with the losing side in several key conflicts in Scottish history, resulting in the lost of their lands. In the time period in question, the gallowglass were considered a highly skilled mercenary force that served a the elite bodyguards for Irish chieftains and other leaders, and then served as heavily armed and armored holding or defensive forces on the battlefield. The gallowglass were also part of the assembled military resistance to queen Elizabeth I's invasion of Ireland, a fact that would see 300 of them executed before the conflict's end. Towards the end of their time, Gallowglasses  reportedly served in the Dutch Blue Guards, Swiss Guard, the French Scottish Guard, and the forces of King Gustavus Adolphus of Sweden in his invasion of Livonia during the Thirty Years War.

Mercenaries
The subject of the gallowglass touches on a much larger and surprisingly timely subject of hired fighters in military conflicts. One of the earliest such examples was  in the 13th century BCE when Pharaoh Ramesses II of Egypt paid for a reported 11,000 Nubian scouts and auxiliary to augment his standing Egyptian army. in later period, Celtic mercenaries would be hired by Greeks, and later still, the city of Carthage would elect to use mercenaries as the vast majority of its military force. Perhaps one of the most celebrated mercenaries forces in medieval and early Renaissance history were the German landsknechts, considered by many to be some of the finest medieval pike infantry to ever have existed. landsknechts were the most sought after, and decisive infantry force of their day, and the course of history was undoubtedly shaped by their presence. hired soldiers as a concept continued on in various and evolving forms through the 16th century and beyond. One colorful example was 'the flight of the wild geese', where an  Irish Jacobite army fled Ireland and reformed as a mercenary military unit stationed in France, but still recruiting from the Irish population as time moved forward. The unit would see action on the European mainland many times in the years to come. Today, modern parlance has re-branded mercenary forces as 'private military contractors', and despite the age old sinister connotations that their heritage and names carry, soldiers-for-hire have also proven decisive military forces in regional conflicts across the globe. With motives that are often a product of the nations, or regimes that hire them, hired soldiers have been and continue to be key players in society's ever evolving conflicts.

The Sword
The exact history of this sword in particular is not known at this time, but that does not mean that it is not important to someone.

After being officially appraised at 200 BGP (Great Briton Pound) ($260.92 US at time of press), the weapon was put up for auction, and an unnamed Canadian buyer purchased it for the mind-blowing sum of 30,000 BGP  ($39,138.06 UD at time of press).

150 times the official appraisal!

The sword has been transferred to its new owner in Canada, and the name and specific location of the previous owner have been withheld as his request.

#Swordsunday is intended as a fun and educational series of posts for the enjoyment of readers.

His Lordship Ivo Blackhawk
Kingdom of Ansteorra
"Long Live the King!"

Monday, February 10, 2020

Herald's Challenge Coins

As much as I want to say this was a fun project that I just wanted to get into, the fact of the matter is that this was motivated by a far more pertinent and serious SCA situation for me. As I have hinted at previously, and said expressly, voice heraldry in my kingdom, or at least in the north, is a neglected trade to take up. A diminishing number of heralds work harder than ever, and with ever shortening advanced notice of their tasks every year, and the end result is a lot of people burn out, and the new of us that stick with it, well,  when we can't make it, its felt by everyone else. Of course, its not all doom and gloom, we have had some outstanding moments as well. But overall, the trends I have seen are not good as an average.

Changing this is a whole other story, of course. Yelling, lecturing, making a scene are right up there with modern 'clergy' who walk the streets who scream 'repent' at every passer by. Its the opposite of engagement.

Positive reinforcement is the best option, but lets be fair, there are some parameters that need to be met.

  1. Eye Catching
  2. Durable
  3. Practical
  4. Emotional and Physical value

All too often the local idea of largess is 'okay' for a general group of people, but really, trinkets like 'salt to season your meal', and 'a gorgeous, hand-thrown mug' are nice, to be sure, but impractical for someone who already demonstrated that they had the energy and wherewithal to do a lot of walking.

At this point, my mind shifted to the modern challenge coins which are very much all of my criteria above, and more to the point, I was confident I could design one. Now, actually making it... that was another mater. Any sort of metalwork was going to be outside of my comfort-zone, let alone the type of carving work needed for a mold or cast.

For about two months, I tried my hand at carving a basic mold out of a piece of plaster, and then a small piece of sandstone I had from a class I took ages ago. Needless to say, all of it was a blithering disaster. shaping sandstone was a level of skill (and a quality of tools) I just didn't have then, and still don't right now. The plaster was a little more forgiving, but given the amount of work needed, just for my one test coin, I was still highly pessimistic.

I had sort of settled on an idea of a lost wax casting idea for a metal master (and no idea what I would do with that afterwards) by the time December had come around and my family and I attended Wiesenfeuer's Yule Revel.

Yule, something my family and I have attended every chance we had since first joining, turned out to be a phenomenal turning point in the project for me. Maste Beorhlic Folcwineson, who's laurel was earned for metalwork, was also a long time friend and confident going back to some of my earliest days. I had planned to talk with him about sand casting, but the conversation went so much further than that. We covered metals, heat sources, sand types, and what the different materials were to make a master. I could use wax, wood, lead, and a host of other options, but in the middle of that conversation, Beorhlic suddenly said "Wait a minute! Try Sculpey." it turns out the modern clay, which I was only passably familiar with, could be cooked to near rock solid hardness and used as a master for copying.

This idea was a flying lead past wax, which, when I tried it later on, turned out to be a messy disaster of its own. I fully understand that wax is the go to in industry for making max masters for casting, but again, tools and patience... two things I was short on just then.

So, I ran to the local Walmart the next day and purchased a variety pack of Sculpey ($9.95, which I was glad for). Now, my learning curve with working clay like this was a hell of a lot steeper than I thought it would be. I tried my hands at all different methods of sculpting, carving, and imprinting different images, even basic ones into the clay, but all of them were blithering disasters.

I think I burned two weeks of messing with it before I came up with the idea of carving a shape into poster board, and then rolling that into pressed clay. The thickness of the plasterboard board would be enough to create a uniform impression on the play. I tried it, first roiling our a 1/4 inch thick plate of clay, and then pressing the pattern into the face with a rolling pin and wax paper. To my shock... it worked perfectly.

My first clay blank (Still needs some sanding on the ends.
Now, paper wouldn't let me do letters, those were still something I would have to add in later, but now that I had a reasonable means to put a decent image in the middle of the coin, I was eager to move forward. I purchased a set of 3mm letter stamps from Amazon for $12, and then sat down to letter my first coin blank.

The process was not what I would have expected. First of all... the clay stuck to the lettering stamps, meaning that what should have been a clean press would get pulled back up, ruining the clay form. After about 3 days of playing with this, I just decided that I would make a letter-less blank out of sculpy, and then cast it in pewter and make the first metal one into the master by lettering that.

The instructions on the Sculpy package said to cook it at 275 for 15 minutes for every quarter inch  of thickness to the model. I set my to 300, and left it in the oven for an hour. Yes, its overkill, but let me tell you, it worked, that first model was rock hard.

So, the next major step in the process came at Northkeep's Winterkingdom collegium in January. The event is always held out at the Creek County Fairgrounds, and the dirt-floored arena has always been the location of choice for hands-on classes like woodworking, stone carving, and metal casting. This year, Beorhlic and Ludo were co-hosting a class is pewter casting, and I showed up with my clay blank. After sitting through the necessary safety talk, and listening to a basic discussion of the theory behind sand-casting, Beorhlic set me up to do a one-sided sand cast of my coin. We used a propane touch to heat my cast-iron frying pan that I was using for a makeshift crucible.

A few minutes later, I poured.




I was borderline ecstatic with the final product. Looking back, it was more of a proof of concept for me and a functional coin or medallion. But at the same time, this was one of the few things that I have made with this type of detail that was not delicate in some way. To see something that started as an idea a few months ago suddenly turn into a physical reality right in front of my eyes was breathtaking.

So, like a kid at Christmas morning, I spent the rest of the event running around, finding friends of mine, and saying "here, let me show you this!"

Now, this lead to an interesting set of conversations, which further reinforced my original goal. Remember, I wanted something that 'landed with authority' when I dropped it in someone's hand. I didn't want a trinket, or 'something shiny', I wanted something that was going to make a clunk when you put it on a table, and move your hand when I gave it to you. It needed real, practical, mass to it.

Well, let me tell you, that was what I got. With nearly everyone I handed it to, there was an almost instant "holy $h!t" as the weight hit their palms. About half of them commented "you could take someone out with this!" and half of what was left added (mostly hyperbolicaly) "don't drop this, you'll break your foot". But between all the laughs and all of the jokes, I was about ready to do cartwheels because this was precisely the reaction I wanted.

There was also a LOT of conversation about ways to improve my methods and product better blanks masters. One of the best ones I heard was the simple act of coating the soft clay with cooking oil to prevent the stamps from sticking and pulling the clay back out when I was done.

I got home and almost immediately went to work making a case for sand casting. I used a chunk of 2" plastic pipe for the case and glues on wood for both a stand and an index set for make sure the faces matched up. It was a trial and error process, to be sure, and if I were to do it again, I would definitely do it differently. But, With the frame in place, I was able to pack the sand down and do a cast.

One of the first things I figured out when I cast my first coin was that my plan to stamp the lettering into it was insane the moment I said it. The act of lining up the dies and striking them in the right order and right force each time was too much, and about 7 or 8 characters in, I did a letter backwards and tanked the whole idea. I finally sat down and did a fresh master coin the way I should have from the start. I grabbed a piece of poster board and cut out a fresh relief of what I was rolling into it, and then borrowed something I learned from a cosplaying YouTube channel of all placed. I used a bit of duct tape and stuck all the parts, to the face of it, and then dusted it with baby powder The final result is a reusable press that will leave the coin's raised rim and trumpet in the face of any clay I push it into. With this I was able to make a new blank. And then, using the vegetable oil I was able to press "that the crown will always be heard" into the front face, and "For the love of the dream" into the back.

I cooked this one to death (I think I did 250 for like an hour, four times as long as I 'needed') and when I was done I had a hockey puck with all the details I needed to make a sand cast coin.

Now, sand casting is one of those things that looks easy when someone else is doing it, but let me say now that simple, but not easy when you are doing it. There was a lot, and I do mean a lot of trial and error with making a cast, and I wound up sanding my clay master several times to get the edges as straight as possible. It was a long, and frustrating process every time it either got stuck in the mold, or came out and took a chunk of the mold with it.

Finally, sometime around 4 or 5 PM Sunday (this is the Sunday after Winter kingdom, so lot a lot of time in the grand scheme of things, but nearly endless activity on my past) I set up my frame, and sand and set to work to do a first cast of the the clay master.

Waiting for the pewter to melt was honestly frustrating just because I hate not being able to do anything, but, once I got my channel locks ready and the pewter melted, I went to pour. I had already done this once, and my major problem was the mold, and not the pewter, so getting it to pour in he right place and not run all over my work space was actually easy. I gave it about ten minutes, and then pulled the mold apart. The coin came out covered in a huge lump of sand, and it was all way to hot to touch. I waited about fifteen minutes before it was cool enough to handle and finally went to knock the sand off of it with one of my nylon brushes.

I honestly was holding my breath for the whole time as I worked to clean it off and get the coin where I could see it, but when I did, it was so worth it. The actual, final, physical product of months of planning, dreaming, talking, hoping, and thinking was sitting there in the palm of my hand.







I took my time cleaning this one off, and sanding it smooth and clean. When I was done, I put an "M" on the edge marking it as the master that all others would be cast from. (also, the coin I would keep). I didn't know at the time how many I would make, but I was thinking somewhere between 10 and 20, depending on the time and cost of pewter involved.

For the next three days, I cast one or two coins a night until Wednesday came and I went for broke after getting enough time and did a run of three, using up the last of my pewter.

I had 7 total casts now to show for it, and I was really happy with the results. And... I was out of anything to cast with so a break was called for.

The next big eye opener for me was the cost of material when I started looking for more pewter. because there are going to be coins (Or medallions)  and will be handled, I had to purchase from a source I knew would be 100% led free. I know that contact exposure from lead is minimal, and can be make even less of an issue if you paint the coin in a sealant. But I can't really depend on that, and I don't want to risk someone to lead exposure later on down the road. Its just not smart.

Medallion and US quarter
for size comparison
So, I went shopping, and got my eyes opened with a steel crowbar. 1 pound of pewter alone is $18.00 at most of the better sites, and shipping is $7.00... and then throw in tax and we're above $25 by enough to be uncomfortable. Its not that I don't have it, I do, but I don't have enough cash to buy a lot of metal at that rate, and what I can get, well, lets just say a power doesn't go very far when you're casting medallions this big.
Medallion and US quarter 
for size comparison

So, biting the bullet, I purchased another brick and waited for the order to arrive. It took almost a week and a half, but... it make it just after lunch on a Monday. As soon as I was off of work, I dove into my shop in the garage and went to work with the camp stove, the sand and my mallet.


It I got out there and started working about 5:45 in the evening.
The process was slow. First I had to set up the cast, which means packing sand down tight, and then packing it down tight on the other side, and then heating up the metal. All told, it was probably twenty five minutes or more before I was done with my first cast. It picked up a little from there, from sand casting in series is just a slow process, probably one of many reasons why the Chinese didn't do it when they were making their coins.






After all of the coins were cast, I had to trill off the stems and extra and then file down the sides, and then finally sand them in order to get the sharp burrs off of the edge. It was long, and tiring, and still so worth it. I came in the house to wash the finished coins and my hands off sometime around 8 or 8:30.

Some rough math puts the material cost of each coin just over $2.50 each, and I probably have 50+ hours of time into them, between design and production, and of course not forgetting the actually time spent casting them.

But, when I was done,  I posted my announcement to Facebook. The project was complete, my coal had been met. I was tired, and a little sore, but I was also bubbling over with pride over getting these done.


I do hereby declare the official first run of the voice heralds challenge coins...
Complete!
We have 17 total castings. One master coin (which I plan to keep)
And 15 coins to disperse in recognition of the hard work that voice heralds do, and are (in my opinion) under-recognized for.

My first-run Voice Herald Challenge coins.
His Lordship Ivo Blackhawk
Kingdom of Ansteorra
"Long Live the King!"

Saturday, February 8, 2020

Sword Sunday #6: Lady Justice has dropped her sword!

Lady Justice has dropped her sword!

No, seriously.

The south facing statue of the Roman goddess Iustitia at the Dallas County Courthouse reportedly dropped her metal sword last month after damage to the metal statue's structure caused the weapon to slip from her grasp as reported by the Perry News,(full article).

“The sword on our Lady of Justice on the courthouse actually fell,” said Dallas County Supervisor Mark Hanson, the four-term Republican from Waukee who chaired the board at the time of the fall. “I’m glad someone wasn’t underneath the sword when the sword came down. It came dislodged from up on top. So we have the sword, and the sword is in safekeeping right now.”
The south-facing lady justice on the Dallas County Courthouse, left, let slip her sword,
and it fell to the ground below. No injuries were reported.
According to records, the statue, as well as it sister atop the north face of the building,  is reportedly 118 years old.

The Roman goddess Iustitia, modernly referred to as Lady Justice is typically depicted  as clad in a long roman toga, and holding a sword in one hand, a balance scale in the other, and some depictions have her blindfolded. The symbolism of these elements dates back to imperial Rome, when Iustitia was first introduced to the roman people by emperor Augustus.

The scales are the oldest symbols of justice, having first been depicted in Egyptian religious iconography, where the Goddess Matt would weigh the hearts of the dead  against the 'feather of truth'.

The blindfold, which has been used and excluded in various points across history, is intended to show Justice's impartiality. An interesting side note on this is exemplified by the  Old Bailey courthouse in London had a depiction of Lady justice without a blindfold, and tourists to the landmark are told that when the statue was made, it was felt that its simple appearance as a women alone would promise accurate justice, rendering a blindfold redundant.

The toga, which is also not universally depicted, is often included deliberately as a nod back to Roman and Greek philosophy, which directly or indirectly influenced many western legal practices and growth over the past 2000 years.

The sword, almost always included with the goddess, is considered the physical embodiment of justice, swift, and permanent.

The sword

As an interesting note about the sword, these weapons are almost always depicted with designs and proportions that are centuries out of character for a 1st century roman goddess.


On the left here, you can see details of photographs from two depictions of Lady Justice, the far from the Castellania in Malta, and the one of the right is from Supreme Court of Queensland, Brisbane, Queensland, Australia.

The image on the left is holding a bell-hilted rapier type blade, a design not even heard of before the late 15th century. And the one of the right, is a long-bladed arming sword with a cross hilt, typical of the 'classic' middle ages, but not widely seen before the 5th or 6th centuries, over 400 years after the Romans first encountered  Iustitia.

If someone had asked a roman citizen, or even a small child of the day, to draw a sword, the proportions and shape would almost undoubtedly have been very close to that of the roman gladius . In fact, the word gladius as it was used in 1st century Rome, was synonymous with "sword" and was the backbone of the military, security, and personal guard forces of the empire. While the gladius did come in several very different forms, the overall design of the weapon was still largely uniform when compared to the variety of blades across later history.

Nearly all gladiolus were stout, steel blades that ran between 20 and 27 inches in length and an overall length of up to 50 inches. They were designed to be held and used one-handed, and through could slash well, were predominately built as thrusting weapons for close in fighting. The hilt flared to the width of the blade to keep the user's grip in place, but had no 'wings' to catch downward blows or swipes. Anything outside of this design would likely have been considered foreign, and/or fantastical to roman citizens, detracting from the imagery of the Goddess as the epitome of Roman justice.
The Gladius's broad, clean blade was the epitome of the 'sword' to roman people. That imagery would evolve over time and grown into the Arming, or Knightly sword. With its 28"-31" blade an d much shorter handle and broad hilt that could catch and stop incoming blows, the weapon still only weighed a few ounces (on average) than it roman ancestor.

Nearly a thousand years after the fall of the roman empire, the evolution of the sword would include the rapier, with an ornate bell hilt and ornate guard, these expensive and high end weapons were considered part of the expected attire for gentlemen and nobles in europe during the Renaissance.  With a blade that could reach as long as 41 inches in some cases, and with tempered steel much more durable than anything the Romans had produced for combat, the rapier  still was considered heavy if it came in much over 2 pounds.

As the sword as evolved over time,  so have depictions of the two-millennium old goddess of justice, and so have the justices systems of the world, including many today who invoke her image.

The next time you are in, or near a courthouse, look for a depiction of Lady Justice, and take note and see if the figure is blindfolded, and see what type of sword she is holding. 


#Swordsunday is intended as a fun and educational series of posts for the enjoyment of readers.

His Lordship Ivo Blackhawk
Kingdom of Ansteorra
"Long Live the King!"

Saturday, February 1, 2020

Sword Sunday #5 - legal action and bad 'Samurai Swords'



Here is an interesting story that has a little bit of everything for you.

In 2016, a couple of high schoolers were in the back yard playing with a "Samurai" sword (presumably this was nominally a katakana style weapon). Per the reports given, they were actually doing  respectable job of doing so safely, with one boy holding the weapon, and the others standing well back, and taking turns tossing water bottles so that the first kid could hit them out of the air.

Disaster, however struck when one of the boys swung the weapon, and the epoxy resin that was the only thing actually holding the blade in its grip, failed. The 26+ inch blade, which by all accounts was extremely sharp, and made of steel, flew 'at least 20 feet' [per police reports], and struck Tristan Ballinger in the forehead, penetrating his skull, and entering his brain. The resulting injury left him in  a coma for 6 weeks, and needed over a year of intensive therapy to recover from the injury.

After discovering that the weapon was made with an edge, but was only fastened to its handle with a light duty epoxy resin, despite apparently have the appearance of pin on the handle, the family filed lawsuit against the sword manufacturer; Ray International Trading Company, claiming the manufacturer was liable for $20 million due to the injuries, and a further $60 million in punitive damages. The Suit was filed in 2017.

Tristan Ballinger the day before graduation
Tristan Ballinger the day before graduation (photo from wdrb.com news )

Last year, Tristan, defying all predictions to the contrary, graduated high school with a 4.0 GRA, and played for the school's football team his senior year.

After being served with the papers for the lawsuit, Ray International Trading Company failed to respond to the suit, appear in court, or answer questions in any way. Now, with no efforts made to answer the claim in court, Judge Harold Murphy has ruled in favor of Tristan Ballinger, issuing a default judgment declaring that the company is liable for the injury and punitive damage. The amount of the judgement will be determined at a later date.


#Swordsunday is intended as a fun and educational series of posts for the enjoyment of readers. 


His Lordship Ivo Blackhawk
Kingdom of Ansteorra
"Long Live the King!"