Thursday, October 29, 2020

Sword Sunday #45 - "the sword in the stump" lost... and then found.

A sword that had stood immovably wedged into a stump in the middle of a small community, which had served as a focal point of interest and conversation for the residents there, vanished one day,  as suddenly and unexpectedly as it had appeared years before.

As ready as you are to to hear the some magical story sent in some isolated farming hamlet in the north of England, this story is set among the suburban streets of Arkon, Ohio

For a century and a half, a tall white ash tree stood looming over its small plot of the neighborhood, happily occupying a so-called "devil's strip" between a lot and  public street. its end came not from fire, or flood, but at the unforgiving mandibles of emerald ash borers, an invasive, and persistent species of wood eating beetle, who's larvae dealt the tree a fatal blow in 2015. The city finally cut it down in order to prevent it from collapsing on some unfortunate passer buy. 

Interestingly, it was not the tree's first brush with the saw. in 2002, it was slated to be cut down for construction, but the local residents protested, convincing the property owner at the time to leave it standing. But, even this long, and fortunate history wasn't enough to spare it. By the winter of 2015, the tree was no more, leaving only a stump as a monument to its one-time history. 

But, that's where our story begins. 

Enter, the artist.

Michael Marras grew up in Arkon, and knew the trees from his earliest memories. He considered it a magical item, invocative, and inspirational. Watching the tree come down left it mark, not only on Marras, but the community. When Childhood was traded for adulthood, Marras embraced art and creativity, becoming a metal sculptor and artist. In 2016, his artistry and the ash tree met in a spectacular, and covert act of metalwork. 

Under the cover of dreary weather, something that usually pushes most residents indoors for the day, Marras ventured out tot he stump, and affixed a massive sculpture of a sword to the hardened wood, holding it in place with heavy bolts to assure it didn't venture off. 

Photo: Jeff Lang, Arkon beacon Journal

The effect was immediate, even is no one else knew where the sculpture came from. 

Megan Moreland, who now lives on the property containing the stump, spoke about her first encounter with the sculpture. 
"I recall driving home by it, and it filled me with utter joy to the point I was just laughing."
The community as a whole was fascinated, and then enchanted by the object. “It's been a really positive experience,” Moreland added. “Mainly because I think it captures people's imagination and whimsy and a sense of childhood.”

Try as Marras did to keep his name apart from the display, it wasn't hard, after a while, to piece together the most likely of culprits. 

“There’s only so many metal sculpture artists in Akron, It was a secret for maybe like a couple years — until people started deducing who might have done it.”- Marras 

And then, it vanished. 

No one can say exactly when the sword vanished, but it was sometime earlier this year (2020), before the COVID situation drove most people in to their homes.  but by March, it was definitively gone, and the community noticed. 

The memory of the sword and the emotions and feelings it inspired lived on, with people talking about it weeks and then months after its disappearance. In some cases, neighbors, and even strangers would reportedly donate money to Marras in and effort fashion a new one. 

Enter the hero.

Everette Walker may not be what anyone would consider a hero, but the diminutive, blond haired 8 year old remembered the sword every bit as much as the adults in the town who fondly recalled their own time as children when they saw 'the sword in the stump'. 

One day, while out playing in the woods near his home, Everette discovered the thing that childhood dreams are made of.

“He just walked up and was like, ‘Look what I found,’” Jennifer Walker, the boy’s mother said. “And of course, everyone in the neighborhood knew that sword was missing for a long time.”

The artist pointed out that the sculpture (which was designed as a as structure, and not an actual combat weapon) probably weighs as much as, if not more than 8 year old Everette, so his presenting it to his mother is all the more remarkable. 

“I like that we have our young King Arthur in the neighborhood,” Megan Moreland said of Everette's epic find. 

But the real magic of the moment is not just in finding the sculpture.

Everette's mother noted that King Arthur was known not only for pulling the sword from the tone, but also uniting the warring factions of his fledgling kingdom. This aspect of the story has also played out in Akron, invoking the legend in ways that Marras could not have foreseen when he first made it.

Arkon is no less touched by the division and anger surrounding the 2020 presidential campaign. Jennifer Walker and Michael Marras both noted that the sword, even in its absence, brought people together, unified them, and reminded them of a common purpose. 

“That’s probably one of my favorite parts of the sword in the stump story. I feel like people who are able to think differently and see things different are able to imagine things being better. I think something small like that can have a big impact.” - Michael Marras

"The Sword in the stump" is located  on West Exchange & Elmdale, Akron, OH, 44313, and situated near a public street for open viewing. 

Michael Marras, who now lives in Los Angeles, has gone on to create an extensive portfolio of metal artwork. 

Note: Most of the information gathered for this post was collected for  the Akron Beacon Journal article by Sean McDonnell.


His Lordship Ivo Blackhawk
Kingdom of Ansteorra
"Long Live the King!"

Saturday, October 24, 2020

Sword Sunday #44 - A "knighting" gone wrong (and how that guy almost started World War III)

If we were talking about anyone else in this post, this story wouldn't even make the back page of a local newspaper. But... it does involve a few well known faces, a sword....and unfortunately a lot of (likely expensive) alcohol. But, if you look past the superficial surface features, and into the people involved, there is an interesting, and compelling story to be heard as well. 

So, the place is the Royal Lodge, a stone's throw from Windsor Castle. The year is 2016, and the world is probably a lot different that the one you are reading this in. The event, a large social (read "party", complete with open wet bar) with friends, and friends of friends. 

The the three people in question? James, Ed, and Beatrice. 

But of course, these aren't just any people. So, lets do proper introductions:

"James" is James Blunt, a British singer, song writer, and military veteran of Her Majesty's Royal Army. 

"Ed" is Ed Sheeran, Grammy award winning British singer, and song writer.

And "Beatrice" is Princess Beatrice Elizabeth Mary, daughter of the Duke of York, 9th in line to the throne of England. 

So, we have three well-known, well to do people, together, at a party, drinking. 

What could possibly go wrong?

Oh yes, lets add a sword to the mix.

As it turns out, James, who was several years into a successful music career and was (and remains) highly popular with the younger British crowd, had commented casually to Beatrice that he had always wanted to be knighted by the hand of a royal. A schoolboy dream if ever there was one, but also one likely shared by a great many from around the world. Beatrice was reportedly intrigued by this idea, and the conversation ensued from there. 

------------------------

Now, as an aside, this does segue nicely into a bit of actual modern history on the part of James. 

James Blunt joined the British army in 1996. In '99, he was an officer with the "Blues and Royals" cavalry Squadron when it deployed to Kosovo as part of the NATO peacekeeping force sent to the region. His unit was working the front lines, spotting troop formations as conducting reconnaissance for the NATO bombing campaign to stop the Serbians. (this was about 4 years after the Scott O'Grady shoot down, for reference).  In June of that year, James's unit was the lead element of a large NATO ground force ordered into the country at the time. 

His squadron was ordered to take the Priština International Airport. However, a Russian mechanized infantry unit interceded ahead of the NATO force, and occupied the airport first. Russian, not being part of the NATO force, was now blocking one of the strategic points needed for the peacekeeping force to do its work. US General Wesley Clark, the NATO task force commander, ordered the Blues and Royals to attack the airfield, and take it by force.  However, General Sir Mike Jackson, the British contingent commander, refused the order. "I'm not going to have my soldiers be responsible for starting World War III." [source]  

Blunt would later comment to the BBC that had Jackson not blocked the order, he would have refused to follow it anyway.
"There are things that you do along the way that you know are right, and those that you absolutely feel are wrong, that I think it's morally important to stand up against, and that sense of moral judgement is drilled into us as soldiers in the British army." [Source]

Jackson would order his the squadron (and several other units) to encircle the airfield. Under the cover an undisputed NATO air superiority, the Russian troops were isolated, and soon out of basic provisions, including food and water. They would surrender the airport soon there after without firing a shot at NATO troops. 

While not a 'guts a glory' war story worthy of a Hollywood film, its worth pointing out that James Blunt went farther towards actually earning a knighthood than many of us today, having actually volunteered first for the military, and then for a combat assignment. All of this was then followed up by him publicly stating that he would have refused orders if needed, in order to not start a shooting war with the Russians. 

------------------------

So, now lets get back to the 2016 party with Ed, James, and Beatrice. 

Beatrice evidently decided to oblige Jame's dream. This being the estate of some of the royal heirs of England, the chances of at least one sword being in the house are about 1000%. And, low and behold, evidently there was one, because the next thing people were seeing was James dropping down on one knee before the British princess, and her highness presenting a sword over his head in an impromptu ceremony with the party guests as witnesses to the good-natured gesture.

Now, we don't know what type of sword it it was, or even what it looked like. The British sword culture has tied all the way back to Roman Britain, and the Royal Family traces its own monarchical rights back to the battle of Hastings, 1066, when Norman, Saxon, and Angles used thick, tough, single handed swords. The linage since then include almost every major sword in Europe, from great-swords, to rapiers, to 'pike breakers', to cavalry sabers, and so on. So, as to what style or type of sword was produced that night, we can't say at the moment.

But I can say one thing about it for sure. And for that piece of evidence, we look to the remaining person on our list of three, Ed Sheeran. 

First of all, a picture if worth a thousand words, so lets let the photos do the talking for us. 

Exhibit A :Ed Sheeran 2010
(note the face)

So, Ed is completely on board with this bit of light-hearted fun, and is standing close when Beatrice produced the sword and begins to 'knight' James. In fact, he was evidently standing just behind the princess, looking over her shoulder.

This was all well and good until Beatrice was done, and pulled the sword out of the way so that James to 'arise' as a new knight. 

Exhibit B: Ed Sheeran, circa 2018 
(note the face)

From the evidence, it looks like the sword was very sharp indeed. So sharp in fact, that the scar is now a permanent fixture on Ed Sheeran's visage. If you note the location, its not hard to argue that the man was only a few inches (if that) from possibly needing a glass eye, or an eye patch for the rest of his life. 

Such revelations tend to make one wonder how many scars and eye patches in history were actually earned in combat, and how many might possibly have been due to a bit of fun gone wrong. 

In the years since the incident, all three of our principles have gone on to live their respective lives. Beatrice, as part of the royal family, has gone on to continue her work with Chartity and philanthropy. James and Ed are each widely popular recording artists both in the UK and in the US, and each have released multiple successful albums in the past few years as well. 

There is no word that any of them have had anything to do with swords since that day. 


His Lordship Ivo Blackhawk
Kingdom of Ansteorra
"Long Live the King!"

Sunday, October 11, 2020

Sword Sunday 43 - The most legendary sword you've probably never heard of

This story has all the makings of a best-selling novel, complete with a court case agaisnt a major corporation, palace intrigue, secret societies, a spy, and a murder. But our story starts sometime in the early 1900s with the looting of a tomb. 

We don't know the exact date, or time, or even who carried out the deed. And as easy as it is to envision the event happening under cover of darkness, by candlelight, and with black cloaks on, the truth of the matter is that it could very well have been a regularly scheduled event, set in between lunch and tea, or just after breakfast. 

Who knows, right?

But the fact of the matter is that some time just before the world was embroiled in "the Great War", men working under the orders of the 5th Earl of Warwick entered a tomb in  St Mary’s Church in Warwick, and proceeded to empty the location of everything but the body and the sarcophagus itself. While we may never know if the act itself was conducted clandestinely, the results were not. One sword, one dagger and two helmets have been on display to the public in Warwick castle ever since.

And now, a century later, that sword is back in the news, but to understand why, we need to first understand who it was who first owned it. 

Sir Fulke Greville,
1st Baron Brooke (1554-1628).
 English poet and courtier
Portrait by Edmund Lodge

Sir Fulke Greville, (who would, at the time of his death be properly styled Fulke Greville, 1st Baron Brooke, de jure 13th Baron Latimer and 5th Baron Willoughby de Broke KB PC) was something of a renaissance man for his day. Author, courtier, exchequer, playwright, Greville was arguably one of the leading minds of his time. It is now also believed he was a high ranking, possibly the top member of the order of the Rosicrucians.

Don't let the name Rosicrucians shoot by you without taking it in. The Rosicrucian society was a spiritual and cultural movement, and mystical order in the early 17th century. The foundation was based on a the story of a German physician, mystic, and philosopher who was called Father Brother Christian Rosenkreuz (Literally "Rose-cross"), who was reportedly born in 1378, and lived to be 106, and practiced what today some scholars believed to be form of  Sufism. Rosenkreuz, and per the story, practiced a personal ethos of healing the sick without accepting payment,. The foundations of the order, again, per the tradition, was Rosenkreuz and eight followers agreeing to maintain a secret fellowship while working though their lifetimes to continue to heal others and better themselves. 

All of this entered the public eye in the yea 1600 when a series of manifestos was published in Germany, and then the rest of Europe, telling the story of Rosenkreuz to the larger public, and saying that 'the time was right' for the secret order to reveal themselves to the world, seeking good men to join them. 

The movement's manifestos promised to revamp philosophical, literary, ecclesiastical/religious, artistic, and scientific (or "alchemical") thinking of the day by making use of 'lost' or 'hidden' practices. While the actual practiced talked about either did not work, or were never revealed, (in fact, the whole history of the order is widely speculated to be little more than a work of creative writing), the impact of its promises was very real.

The manifestos (3 of them in total) would directly influence and inspire the works of movers and shakers across Europe. Michael Maier (1568–1622) of Germany would go on to be named  Pfalzgraf (Count Palatine) by Rudolf II, the Holy Roman Emperor. his works would included argent, and striden defense of the Rosicrucians. Other historical figures included Teophilus Schweighardt Constantiens, Gotthardus Arthusius, Julius Sperber, Henricus Madathanus, Gabriel Naudé, and Thomas Vaughan.

 Robert Fludd (1574–1637) and Elias Ashmole (1617–1692) of England would also credit the writing of the Rosicrucians with influencing their works,  helping to bring the order fully to the English aisle. 

German theologian Daniel Cramer published a treatise in 1617 entitled "Societas Jesus et Rosae Crucis Vera" (The True Society of Jesus and the Rosy Cross).

Art, poetry, and history across Europe began to see references to the order, some almost coded, others obvious.

For what we do presage is not in grosse,
For we are brethren of the Rosie Crosse;
We have the Mason Word and second sight,
Things for to come we can foretell aright.

— Henry Adamson, The Muses Threnodie  (a poem from 1638).
The name of the order was also its own self-explanatory brand, with a gold cross and a rose at the intersection becoming the badge for members and adherents. 


It was in this philosophical tumult that we find Sir Fulke Greville, personal exchequer to Queen Elizabeth I, and then to James I. When you consider the history of the English royal family and their ability to spend and loose money to the point of literal bankruptcy many times over throughout history, the selection of a person charged with organizing that money was a mark of the highest trust, and put Greville in very high circles. 

Greville was no meek individual, A prolific writer, he was a poet, man of numbers and letters, scholar, and lawmaker, on top of being a combat veteran and member of the English high-born. Before his rise to prominence, it is known that participated in the Battle of Coutras in 1587. He also for a short time in Normandy under King Henry III of Navarre in the French Wars of Religion  in 1591. In his later years, he would serve as the parliamentary representative for  Warwickshire at multiples meetings of parliament.

On top of, and aside from his public life, Greville's sharp mind, extensive education, and  work with both letters and numbers made him a more than capable spy for the crown. Not only knowledgeable of of foreign customs and language, but he almost certainly was one of the early code-masters used in England.  Even if the letter was intercepted and read before its delivery, the use of codes could help protect the message itself. In an age before computer encryption and frequency hopping radios, such abilities would have been worth Greville's weight in gold to whoever hired him.  

Greville's skills also included the dramatic and the political. He famously penned "Four Foster Children of Desire", a small production written specifically to be put on before the french ambassador during a visit  to Whitehall. At the time, the French were working to arrange a marriage between Elizabeth I and Francis, the Duke of Anju. Internationally, it would have joined two of the dominant military powers of Europe. Domestically, however, it would have relegated the English Queen to the status of empty figurehead, and broodmare to have Francis'es children. Under the laws of the day, had she given birth to a son by Francis, the child would immediately have more power and political value than his own mother. Greville was opposed to the marriage, and use the visit to say as much. In the play, "Four Foster Children of Desire",  The "Children" lay siege to the "Fortress of Perfect Beauty". After two days of challenges the Children admitted defeat. In the context of the sensibilities of the day, the message to the ambassador was clear; Elizabeth (who would never marry, and never see her power as monarch pulled from her) was 'unattainable' by the french. 

For a man who lived the life he did, Greville's end was both tragic, and horrific. A personal servant of his attacked him in 1628 over a disagreement as to Greville's will. While the would itself was not life threatening, the treatment including sealing it with pig lard, which quickly infected the injury. Greville reportedly died in agony, weeks later, from what today would likely be called sepsis. 

But the story does not stop there. 

Almost 400 years later we come to Rene Greville, descendant of the late Fulke Greville, and, among other things, his biographer (under the pen name of  A.W.L. Saunders). According to Rene, what remains of the tomb of Fulke have multiple icons and inscriptions that suggest he was not only a follower of the Rosicrucians, but likely even one of their leaders in England, possibly even the order's highest member of the time. 

Rene Greville



‘My own research into the monument [...] and the remains of the stained-glass windows of the Chapter House, make it almost certain that Greville was a very high-ranking member of the Rosicrucians,’ 

If this is true, and per Rene there is evidence aplenty to support the claim, that would put one of the most elite of the English courtiers of the day as a member of the society, and even its leader. 

The relevance here is not only historical, either. A great many modern societies, including the Freemasons recognize the influence of the Rosicrucians, with some individuals believing that the latter was, in fact, part of the founding effort of the former. Iconography of several orders, historical and modern, include the use of the rose cross, an image not widely used before the rise of the Rosicrucians.

"Once Freemasons and Rosicrucians understand what that sword is it could be like the Mona Lisa. Millions of people could turn up at the church wanting to see the sword which would bring the church to a halt." - Rene Greville. 

And this brings us back to 1900s looting of Fulke's tomb. According to Rene, the sword includes an emblem of the rose cross, and a more detailed study of it might reveal more information. It is important to remember that Faulk was a code master in his day, so the idea of hiding his membership by way of code or related imagery on something like a sword is not only possible, but likely for a man with the theatrical pedigree he had. 

The problem, though, is that the sword was not available for such close study. Still in the custody of Warwick castle (owned by  Merlin Entertainment), the company was not interested in allowing such a  closer study, and did not allow Rene access to the weapon. Finally, in late 2019, He took the case to court, sewing for custody of the weapon that, per his challenge, was rightfully his. The year long legal fight was described a costly, and exhausting.

"Merlin [entertainment] held out and held out until 24 hours before a hearing was to be brought and they caved. In legally-binding emails they agreed to return the items to the church. I love the sword but it’s a bit of pain to me as my family have spent thousands [of British pounds] on this whole thing." - Rene

With the connections that the sword has, and the names of the people who were in, or involved in  Fulke Greville's life, the potential value of the weapon is bordering on astronomical. 

‘The most expensive sword ever sold went for £7.7million and I believe this would go for something similar as there’s nothing like it in the whole world.’- Rene

In something of another major historical connection, Rene is hoping that 'the items' to be returned include several manuscripts that he believes were removed from the tomb as well, and never put on display. If his theory is true, they might hold evidence that Fulke was the actual author of Shakespear's Antony and Cleopatra, as well as possibly several of the bard's other famous works. 

I’m very happy that the sword is going back but now my interest is what else the Earl of Warwick took from Fulke’s sarcophagus. I believe that boxes full of letters and documents came out and they will answer questions on the Essex Rebellion, the Armada, Elizabeth I’s death. They could reveal Fulke wrote Anthony And Cleopatra and other works of Shakespeare. My dream is to find those documents before I die. Fulke was at the centre of everything and what he says could change history as we know – even at my age it’s so fascinating.’
- Rene




His Lordship Ivo Blackhawk
Kingdom of Ansteorra
"Long Live the King!"

Thursday, October 8, 2020

Sword Sunday #42 - a metal detectorist finds a 5th century Anglo-Saxon giant.

In 2018, a the  Maidenhead Search Society (A metal detection club in southern England) managed to beep their way onto an unusual find for the area. Sue and Mick Washington, two member, had previously gotten strong signals there that their high-end metal detectors hinted might be iron, but circumstances had not favored a more in-depth investigation. The third visit, however, worked in their favor, and they started digging. Soon after breaking ground, they found metal bowels and pots that were well over a millennium old, telling them that this would not be any normal day in the field. 

The find, which was turned over to Portable Antiquities Scheme  Officer for Buckinghamshire turned out to be more than just a small collection of rare artifacts. Headed up by archaeology department at the University of Reading, the site was established to be a formal burial site, and the interred had been buried with several ornate pots and jars, as well as a sword in an decorated scabbard, two iron-headed spears and a complete human skeleton. The finds were tentatively dated to the 5th, or 6th centuries, just after the fall of the roman empire. When compared to what is already known of the people, the time, the region, and the natural elements of the region, the burial site is likely to have been someone of considerable import and wealth for their day. The unnamed figured was dubbed the "Marlow Warlord".
We had expected to find some kind of Anglo-Saxon burial, but what we found exceeded all our expectations and provides new insights into this stretch of the Thames in the decades after the collapse of the Roman administration in Britain.This the first burial of its kind found in the mid-Thames basin, which is often overlooked in favour of the Upper Thames and London. It suggests that the people living in this region may have been more important than historians previously suspected. This guy would have been tall and robust compared to other men at the time, and would have been an imposing figure even today. The nature of his burial and the site with views overlooking the Thames suggest he was a respected leader of a local tribe and had probably been a formidable warrior in his own right. -Dr Gabor Thomas, specialist in early medieval archaeology, U. of Reading, 
The sword is described as having an exceptionally well-preserved scabbard - making it one of the best-preserved sheathed swords known from the period -made of wood and leather with decorative bronze fittings. The detail work and the tooling are likely to offer new insights into the levels of sophistication for regional craftsmen of the time.

The early Anglo-Saxon period was one of great change in England with significant levels of immigration from the continent and the formation of new identities and power structures in the vacuum created by the collapse of the Roman administration around 400 AD. Around a century later - the period in which the Marlow Warlord lived -England was occupied by local tribal groupings, some of which expanded into Anglo-Saxon kingdoms, such as Wessex, Mercia and Kent.

The region of the mid-Thames between London and Oxford was previously thought to be a 'borderland' in this region, with powerful tribal groups on each side. This new discovery suggests that the area may have hosted important groups of its own. It is likely that the area was later squeezed out or absorbed into the larger neighbouring proto-kingdoms of Kent, Wessex and Mercia.

Bloggers note: One of the things I, as a historian, have been sensitive to since I started talking about archaeology in this series is the assumptions about gender with regards to burial sites. There was a time when if a weapon was found with a skeleton, the body was immediately marked as 'male' and no other effort was made to further verify that assertion. Furthermore, there were multiple accounts out of Europe and the US of younger graduate and doctoral students who found themselves bullied, or even officially censored for 'daring' to question the genders of the interred in certain burial sites. 

To be clear, I accept as fact that the academic community as a culture (across almost all disciplines) has some level of sexism still invested in it, weather it be born of malice, traditionalism, unconscious bias, or some mix of the three. I also believe that when the technology becomes more widely available, readily held assumptions about sex, gender roles, and even gender identity across history might well be in for some rude awakening for many of us. 

That being said, the determination here of the interred as male is likely not without merit.

First, there are structural differences between the male and female skeletons, including cranial and pelvic shape. If the remains were intact enough to measure those areas, a strong indication can be argued for gender that way. 

Photograph of the excavation site and the remains.

Second, while it is by no means impossible for a woman to stand six feet tall, when you consider the fact that the average Anglo-Saxon of the period was closer to 5'-4", and as an average, men to grow taller than women, the presence of a six-foot tall person makes the strong argument for the figure being male. 

Third, while there are documented cases of women in history having marshal prowess, and taking on the roles of military or political leaders, it is also understood that these were the exceptions that proved the rule. While a sword, or weapon of any type is not irrefutable, rock solid evidence of gender, it does strongly suggest a man based on the known patriarchal structure of the Anglo-Saxon tribes at the time. 

The two key articles I researched for this post did not specifically call out how the body was gendered, or even if there was any scientifically accepted evidence of gender beyond the presence of weapons. Time, and hard science will hopefully tell a more detailed story of life of this formidable figure. 



His Lordship Ivo Blackhawk
Kingdom of Ansteorra
"Long Live the King!"

Saturday, October 3, 2020

Sword Sunday #41 - The twilight hours of Toledo Steel

The name "Toledo" is as iconic as its heritage is enigmatic in the American lexicon, but none the less, the history behind it is nothing to be overlooked if you are a sword enthusiast.

For most Americans of a certain generation, the name is probably best recalled as Corporal Maxwell Klinger's favorite exclamation on the hit series M*A*S*H.Of course, he was referring to Toledo, Ohio. The fact of the matter is that the North American city was named after the European City of Toledo, Spain

And this of course segue's back to another, slightly more modern reference from the 1991 "Robin Hood: Prince of Thieves".

"Spanish Steel, *much* stronger than our native blades" - Alan Rickman, as the Sherif of Nottingham. 

Say what you will about the movie (and I confess to mixed emotions on it myself), but this one line actually has some solid historical precedence to it. 

In fact, the phrase "Toledo Steel" is one of the linguistic artifacts from the days when swords were still valued combat arms militarily. In wahtever language it weas spoken, it the words were one of the bnechmarks for blade strength, sharpness, and durability, in the same theme as (though for slightly different reasons then) "Damascus".

The fact of the mater is that the naturally occurring metal deposits in the central and eastern Iberian peninsula do, in fact, produce stronger types of steel than the metals produced in England, and most of northern Europe.  The city of Toledo itself, which has roots in the early Roman period (circa 50 BCE),  is located almost in 'the dead center' of Spain, and has a tradition of high-end weapon's type metalwork that dates back to the 4th century. 

While numbers and figures obviously vary wildly based on time period, records, and situation, it is a known fact that the blacksmiths of the city crafted an appreciable fraction of the weapons for, or that were used by some of the greatest royal guards, knights, footmen and duelist in the European sphere of influence. Spanish blades, and specifically Toledo steel swords, have been found, in historical context, as far away as Iceland, Moscow, and the northern edge of the Sahara dessert. 

And this work didn't stop with the rise of firearms, though of course it did shift focuses. All the way into the 1980s, the city still was home to a few hundred career blacksmiths who produced swords full time. Masters of their art, they provided movie props, collectibles, replicas, and in some cases, fantastical constructs to customers around the world.  

2020, however, might yet add "Toledo Sword making" to its list of causalities. Already facing stiff competition from a global market and a thoroughly industrialized Chinese replica blade industry, the massive economic slump caused by the COVID-19 epidemic (which is still an ongoing problem as of this writing), is likely to bring the era of Toledo Steel to its twilight, and possibly its end.

A Business Insider article this month chronicled the story of the last two (yes, you read that right, T W O, 2) sword makers in the city. José Ramón Moreno, and Mariano Zamorano, per the article, are the last two, full time, professional swordsmiths in the city. They learned from the men who came before them, but tell a grim story of no one having the ability and the interest to learn what they have to teach now. It is likely, they both say, that the next five years will see the definitive end of the era of Toledo as a sword making center in the world. 

After fifteen hundred years of forging swords, and the legacy that went with them, the city of Toledo looks like it may be in thee final hours as part of the world's master blade makers circle, brought down not by better blacksmiths, but by Chinese industrial competition, and the shock of the COVID pandemic.

Or maybe not, only time will tell that tale. 


His Lordship Ivo Blackhawk
Kingdom of Ansteorra
"Long Live the King!"